Memory in Maus serves a different purpose. In Maus, memory is most often shown as concrete, taking the form of photos, numbers, and even the comic itself. The concreteness of memory in Maus, opposite to 1984, acts to create verisimilitude in order to emphasis the very real physical and emotional after effects of the Holocaust. When memory is displayed in the form of physical objects such as pictures, these memories are permanent, unable to be easily wiped from the mind. Vladek, for some reason, has a photo of himself in a prisoner suit "still now in my desk" (Spiegelman, 2.134). The physical picture acts as a stimulant to Vladek's memory, constantly reminding him of his trauma. In the same way, Maus is a constant reminder to the guilt Art feels due to the Holocaust.
In both novels, however, memory acts as a primary motavator for Winston Smith, Vladek, and Art. In 1984, Winston Smith's primarily goal is to restore proper memory to his people. In Maus, Art writes his comic to come to terms with his guilt by invoking his father's memory. Vladek's entire life revolves around his memory and trauma aquired from the holocaust. His memory forces him to be exceedingly miserly, eventually pulling him apart from his wife. Despite the difference in purpose, memory acts as a driving force behind both Maus and 1984's characters.

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